With the exhibition FLASH BACK, the Mauritshuis is celebrating 200 years as an art museum. “A Grey Room of Gold”…read more →
For decades, the attic of the Tropenmuseum in Amsterdam housed a number of life-size dolls – forgotten and covered…read more →
Exhibitions on colonial history are constantly under scrutiny. Whose perspective dominates? Whose voice is heard, and who is the intended…read more →
For decades, the attic of the Tropenmuseum in Amsterdam housed a number of life-size dolls – forgotten and covered in…read more →
Srefidensi
In the artistic research project SREFIDENSI FOTO, I collect and research photographs related to both known and unknown Surinamese…read more →
met werk van Rachel Morón Kevin Osepa Quinsy Gario en (gastcurator) Sara Blokland
“Srefidensi en de Vlag” is a public space work created by Sara Blokland and Jaya Pelupessy.
The focus of our…read more →
‘What about me?’ waarin de zoektocht naar identiteit centraal staat.VU GallerieDe Boelelaan 1105, Amsterdam
Deelnemende kunstenaars Deelnemende kunstenaars zijn: Sara…read more →
Lecture by Sara Blokland about postcolonialism and contemporary art.
KUNST NU (ART NOW) is a crash course contemporary art organized…read more →
In the multimedia installation, Mother’s History, a Library of Language, Sara Blokland explores her mother’s Amsterdam-Jewish family history. Sara Blokland…read more →
Sara Blokland (NL) is a visual artist predominately working with photography. In her work she reflects on the complicated role…read more →
Reproduction of family part 4: Mother’s history – a library of language
On the move 29 Aug 2014…read more →
Gallery Lmakprojects New York Group show; Sara Blokland, Jonathan Calm, Jeannette Ehlers, Nikita Gale, Erika Ranee
July 1 – August…read more →
I am a visual artist, curator ad researcher . I studied photography and film/theatre design at the Gerrit Rietveld Academy…read more →
Printed 11 1/4 x 15 inches 148 pages Edition 10 2012
This is the third chapter in an ongoing narrative about photography, family histories, and migration. Through the use of…read more →
This the second chapter in an ongoing narrative about photography, family histories and migration. Using text, video and photographic images…read more →
( in collection of Stedelijk Museum Amsterdam)
This the first chapter in an ongoing narrative about photography, family histories and migration. Using text, video and photographic images…read more →
Installation (wallpaper) 2008
Photography Inkjet print on paper 110x160cm 2007
( in collection of Nederlands Fotomuseum Rotterdam)
The Coffee Room was an installation set in the former coffee room used by the Zuiderzee Museum’s repair staff. Originally…read more →
2006
‘
Linda” is a series of photographs featuring Sara Blokland’s sister, Linda, who was a pop idol in the…read more →
The installation “Father’s Paradise” reflects on identity, ideals, and memories. The work comprises photographs taken by a man who cherishes…read more →
“Home” is a multimedia installation exploring the relationship between migrant identities, architecture, and colonial aesthetics. Over 60 images and 6…read more →
‘CORNERS’ , by visual artist Sara Blokland, was developed and commissioned by Theater Stella as a visual installation for…read more →
Installation/inkjet prints
2005
2002
( several pieces in collection of Kunst Museum Den Haag )
2002
Fam
Fam is a photo series of 26 portraits of 4 members of Sara Blokland’s family. They are all photographed…read more →
Unfixed Photography and Postcolonial Perspectives in Contemporary Art
CONCEPT
UNFIXED (2009-2012) was a project that explored the relationship between photography,…read more →
Following the success of volumes I and II of The Photobook: A History, this third volume brings the history of…read more →
Initiative: Atousa Bandeh contributors: Atousa Bandeh, Sara Blokland, Katrin Korfmann, Nickel van Duivenbode, Bassam Chekhes en Tina Rahimy contribution Sara…read more →
Concept and photography: Sara Blokland Initiative and research: Afra Jonker Production: Boa Productions Design and image editing: Willem van Zoetendaal…read more →
Year 2009 Size 32×25 cm Colour Full colour Design Willem van Zoetendaal
Subject: A history of the Zuiderzee. Material archive: Zuiderzeemuseum, photos sent by individuals, photography, and text by Sara Blokland.
Content:…read more →
Sara Blokland (the Netherlands, 1969) is a visual artist, independent researcher, and curator in photography. Her work examines the ambiguous…read more →
https://www.hku.nl/het-werk-van-hku/verhalen/fotografie-voorbij-de-kaders
Fotografie voorbij de kaders Blokland: ‘Circulate: Photography Beyond Frames vindt plaats in het kader van de tweejaarlijkse kunstaankopen door het…read more →
Interview by Theresa Sigmund.
Sara Blokland: “Who is allowed to be in the picture?”
About defining base, home and history
Sara Blokland is a visual artist, curator and independant researcher of photography. She lives…read more →
April 15th The Reinwardt Academy is happy to invite you for the ‘Performance of a research in progress’ by Sara…read more →
A Human Copy of Violence is a visual work in progress that imagines the lives of life-size figures in museums…read more →
The Dutch-Caribbean identity cannot be confined to a single location, language, or culture. Its diversity is intertwined with the colonial…read more →
lecture and workshop by Sara Blokland on 7 and 8 of december
at openset.nl
Lecture October 9th title : Reproduction of family organized by Radical Cut-up, location Stedelijk Museum
Ethnographic collections are spaces for histories of relations, colonial relations, knowledges, desires, lifeworlds, materials, and techniques.
The ethnographic archive is…read more →
11-04-2017Srefidensi and the reproduction of a family history a lecture by Sara Blokland About her art and the project SrefidensiFoto, photo…read more →
“Srefidensi” (Independence) (2015 – 2017) is an artistic research project that uses photography to reflect on centuries of protest,…read more →
Srefidensi en de Vlag van kunstenaars Sara Blokland en Jaya Pelupessy . Met dit werk kijken Blokland en Pelupessy naar…read more →
READ the complete MA THESIS here >>>>> Photographic production as colonizing practice: the construction of the ‘non-Western subject in crisis’…read more →